It looks like a new record this fall. I got 18 tracks through first mixes from Patrick. Lots of help on this record:
Seth Pendergrass (drums) is an old homeschool compadre & when he & his buddy Ben taught me some Cream in his folks’ basement in the mid ’90s it was the first time I’d played with anyone else. I wasn’t any good & they weren’t impressed. I can’t really go on about how he contributed a lot of sweat & blood to this record because for Seth a couple studio sessions of pop tunes was a piece of cake. But I’ve been meaning to borrow his skills for 15 years so I’m glad to check that off the bucket list.
Greg MacNair (violin) plays on all my records. He sounds really good but as an added bonus, he doesn’t need to practice. I play him the song & then hit record & he plays the song. It’s a joy to work with him because he does all the work & makes it look like play.
Maggie Clements (BGVs) has a super pro voice — she was perfect as Emmylou on my Buddy Miller tune. I really appreciate her sitting in & lending some harmony.
Tim Rakel (banjo) is a St Louis rockstar with a half dozen bands to his name, as well as his own radio show on KDHX. In addition to pursuing the fine crafts of songwriting & a half dozen instruments, the man has a sense of history, a rare thing indeed.
Sean Canan (guitar) is an honest working musician, which says a lot about his musicianship. His ace axe work carries & defines the two songs he played on.
Walter Wroughton (bass) is a fine woodsmith, especially when the wood is a bass guitar. Sometimes a keyboard bass just doesn’t cut it & you need the real thing. After years of seeing him play with the Ottomen it was a treat to welcome him to my living room.
Susannah Eisenbraun (BGVs): what a cool voice & what fun to have close company on this little adventure.
Best,
-Joe